European journal of American studies, Vol 11, no 2 | 2016

نویسنده

  • Michael Wainwright
چکیده

This article uses Jacques Lacan’s reading of the Freudian fort-dagame to analyze that most American of cultural constructs, the cowboy, at the time of that figure’s fading from theAmerican landscape: the immediate postwar years. With John Grady Cole, the protagonist of All the Pretty Horses (1992), Cormac McCarthy provides a suitably situated subject for this criticalendeavor, one whose subjective characteristics become present through dramatically playfuldivision of his maternal imago. These games of psychoanalytical maturation, which emerge fromthe alternation between psychoanalysis in theory and that theory in critical practice, and whichtrace their subject’s successive relocations to alternative sides of the American-Mexican border,articulate the inevitable though resisted diminishment of Cole’s cultural construction.

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تاریخ انتشار 2016